Accenture – Verbal
& Reasoning - 4
Directions for
Questions 1-3: Choose
the option which will correctly fill the blank.
1. I will be here __________ Thursday and Friday.
A. During
B. for
C. until
D. after
Ans: (A)
2. I have been here ______ three years
A. since
B. from
C. for
D. none of the above
Ans: (C)
3. The sun rose ______the horizon.
A. below
B. over
C. in
D. above
Ans: (D)
Directions for
Questions 4-6 : Choose the word nearest in meaning to the word in
Italics from the given options.
4. Now the fury of the demonstrators turned against the machines.
A. Rage
B. Acrimony
C. Asperity
D. Passion
Ans: (A)
5. Malice is a feeling that we should always avoid.
A. Spite
B. Envy
C. Hatred
D. Cruelty
Ans: (A)
6. He was punished for shirking his official work
A. Delegating
B. Slowing
C. avoiding
D. Postponing
Ans: (C)
Directions for
Questions 7-10: Choose the answer option which will correctly fill the
blank.
7. Seiko is______ practicing Buddhist
A. an
B. the
C. a
D. none of these
Ans: (C)
8. ___________ awards ceremony at Kremlin would not
normally have attracted so
much attention .
A. A
B. An
C. The
D. All the above
Ans: (B)
9. He spilled ___________ milk all over the floor
A. A
B. An
C. The
D. none of these
Ans: (C)
10. I saw _________ movie last night. _____ movie was
entertaining.
A. the, A
B. A, the
C. An, A
D. the, the
Ans: (D)
Directions for
Questions 11-14: Read the passage and answer the questions that
follow on the basis of the
information provided in the passage.
Disequilibrium at the
interface of water and air is a factor on which the transfer of heat
and water vapour from the
ocean to the air depends. The air within about a millimetre
of the water is almost
saturated with water vapours and the temperature of the air is
close to that of the surface
water. Irrespective of how small these differences might
be, they are crucial, and the
disequilibrium is maintained by air near the surface
mixing with air higher up,
which is typically appreciably cooler and lower in water
vapour content. The
turbulence, which takes its energy from the wind, mixes the air. As
the speed of wind increases,
so does the turbulence, and consequently the rate
of heat and moisture transfer.
We can arrive at a detailed understanding of this
phenomenon after further
study. The transfer of momentum from wind to water,
which occurs when waves are
formed is an interacting-and complicated phenomenon.
When waves are made by the
wind, it transfers important amounts of energy-energy,
which is consequently not
available for the production of turbulence.
11. This passage principally intends to:
A. resolve a controversy
B. attempt a description of a phenomenon
C. sketch a theory
D. reinforce certain research findings
E. tabulate various observations
Ans: (B)
12. The wind over the ocean usually does
which of the following
according to the
given passage?
I. Leads to cool, dry air coming in proximity
with the ocean surface.
II. Maintains a steady rate of heat and moisture
transfer between the ocean
and the air.
III. Results in frequent changes in the ocean
surface temperature.
A. I only
B. II only
C. I and II only
D. II and III only
E. I, II, and III
Ans: (A)
13. According to the author the present
knowledge regarding heat and
moisture transfer
from the ocean to air as
A. revolutionary
B. inconsequential
C. outdated
D. derivative
E. incomplete
Ans: (E)
14. According to the given passage, in case
the wind was to decrease until
there was no wind at
all, which of the following would occur?
A. The air, which is closest to the ocean
surface would get saturated
with water vapours.
B. The water would be cooler than the air
closest to the ocean
surface.
C. There would be a decrease in the amount of
moisture in the air
closest to the ocean surface.
D. There would be an increase in the rate of
heat and moisture
transfer.
E. The temperature of the air closest to the
ocean and that of the air
higher up would be the same.
Ans: (A)
Directions for
Questions 15-20: Read the passage and answer the questions that
follow on the basis of the information provided in the
passage.
Roger Rosenblatt's book Black
Fiction, manages to alter the approach taken in many
previous studies by making an
attempt to apply literary rather than socio political
criteria to its subject.
Rosenblatt points out that criticism of Black writing has very
often served as a pretext for
an expounding on Black history. The recent work of
Addison Gayle's passes a
judgement on the value of Black fiction by clearly political
standards, rating each work
according to the ideas of Black identity, which it
propounds.
Though fiction results from
political circumstances, its author react not in ideological
ways to those circumstances,
and talking about novels and stories primarily as
instruments of ideology
circumvents much of the fictional enterprise. Affinities and
connections are revealed in
the works of Black fiction in Rosenblatt's literary analysis;
these affinities and
connections have been overlooked and ignored by solely political
studies.
The writing of acceptable
criticism of Black fiction, however, presumes giving
satisfactory answers to a
quite a few questions. The most important of all, is there a
sufficient reason, apart from
the racial identity of the authors, for the grouping
together of Black authors?
Secondly, what is the distinction of Black fiction from other
modern fiction with which it
is largely contemporaneous? In the work Rosenblatt
demonstrates that Black
fiction is a distinct body of writing, which has an identifiable,
coherent literary tradition.
He highlights recurring concerns and designs, which are
independent of chronology in
Black fiction written over the past eighty years. These
concerns and designs are
thematic, and they come from the central fact of the
predominant white culture,
where the Black characters in the novel are situated
irrespective of whether they
attempt to conform to that culture or they rebel against
it.
Rosenblatt's work does leave
certain aesthetic questions open. His thematic analysis
allows considerable
objectivity; he even clearly states that he does not intend to judge
the merit of the various works
yet his reluctance seems misplaced, especially since an
attempt to appraise might have
led to interesting results. For example, certain novels
have an appearance of
structural diffusion. Is this a defeat, or are the authors working
out of, or attempting to
forge, a different kind of aesthetic? Apart from this, the style
of certain Black novels, like
Jean Toomer's Cane, verges on expressionism or
surrealism; does this
technique provide a counterpoint to the prevalent theme that
portrays the fate against
which Black heroes are pitted, a theme usually conveyed by
more naturalistic modes of
expressions?
Irrespective of such
omissions, what Rosenblatt talks about in his work makes for an
astute and worthwhile study.
His book very effectively surveys a variety of novels,
highlighting certain
fascinating and little-known works like James Weldon Johnson's
Autobiography of an
Ex-Coloured Man. Black Fiction is tightly constructed, and
Level headed and penetrating
criticism is exemplified in its forthright and lucid style.
15. The author of the passage raises an
objection to criticism of Black
fiction like that by
Addison Gayle as it:
A. Highlights only the purely literary aspects
of such works
B. Misconceive the ideological content of such
fiction
C. Miscalculate the notions of Black identity
presented in such fiction
D. Replaces political for literary criteria in
evaluating such fiction
E. Disregards the reciprocation between Black
history and Black
identity exhibited in such fiction.
Ans: (D)
16. The primary concern of the author in the
above passage is:
A. Reviewing the validity of a work of criticism
B. Comparing various critical approaches to a
subject
C. Talking of the limitations of a particular
kind of criticism
D. Recapitulation of the major points in a work
of criticism
E. Illustrating the theoretical background of a
certain kind of
criticism.
Ans: (A)
17. The author is of the opinion that Black
Fiction would have improved had Rosenblatt:
A. Undertaken a more careful evaluation of the
ideological and historical aspects of Black Fiction
B. Been more objective in his approach to novels
and stories by Black authors
C. Attempted a more detailed exploration of the
recurring themes in
Black fiction throughout its history
D. Established a basis for placing Black fiction
within its own unique literary tradition
E. Calculated the relative literary merit of the
novels he analysed thematically.
Ans: (E)
18. Rosenblatt's discussion of Black Fiction
is:
A. Pedantic and contentious
B. Critical but admiring
C. Ironic and deprecating
D. Argumentative but unfocused
E. Stilted and insincere.
Ans: (B)
19. According to the given passage the author
would be least likely to
approve which among
the following?
A. Analysing the influence of political events
on the personal ideology of Black writers
B. Attempting a critical study, which applies
socio political criteria to
the autobiographies of Black authors
C. A literary study of Black poetry that
appraises the merits
of poems according to the political acceptability of their themes
D. Studying the growth of a distinct Black
literary tradition within the context of Black history
E. Undertaking a literary study, which attempts
to isolate aesthetic qualities unique to Black fiction?
Ans: (C)
20. From the following options, which does
the author not make use of while discussing Black Fiction?
A. Rhetorical questions
B. Specific examples
C. Comparison and contrast
D. Definition of terms
E. Personal opinion.
Ans: (D)